The Priestesses of Apollo and the Heirs of Aesculapius: Medical Art-Historical Approaches to Ancient Choreography after Charcot
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Auteurs : Jonathan Marshall [Australie]Source :
- Forum for Modern Language Studies [ 0015-8518 ] ; 2007-10.
Abstract
This article examines the legacy of neurologist Jean-Martin Charcot and the teaching of his students Paul Richer and Henry Meige at the École des Beaux-Arts, 1903–40. According to the terms of Friedrich Nietzsche's The Birth of Tragedy, their approach to art history and anatomy constituted a strictly Apollonian aesthetic in which Dionysian forms were pathologised and constrained. Although critical of the ancient witch, they influenced the revival of classical dance within Eurhythmics by Maurice Emmanuel.
Url:
DOI: 10.1093/fmls/cqm066
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<front><div type="abstract">This article examines the legacy of neurologist Jean-Martin Charcot and the teaching of his students Paul Richer and Henry Meige at the École des Beaux-Arts, 1903–40. According to the terms of Friedrich Nietzsche's The Birth of Tragedy, their approach to art history and anatomy constituted a strictly Apollonian aesthetic in which Dionysian forms were pathologised and constrained. Although critical of the ancient witch, they influenced the revival of classical dance within Eurhythmics by Maurice Emmanuel.</div>
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